A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives. 印(yìn )度(😿)每(měi )年(🎍)有超过(🕸)二万宗(🐴)针对女(⛳)性的暴力罪案(àn )，平(píng )均(jun1 )每(🧣)二(èr )十二分钟就有一名女(🔀)性被强(🕯)暴(bào )，每(🖌)六(liù )小(🥘)时(shí )就(⛹)有一(yī(🙄) )名妇女因家庭暴力丧命。年(🔸)轻(qīng )的(✔)(de )基层(cé(🚶)ng )女警(jǐ(🌴)ng )索妮与(😔)(yǔ )上司卡帕纳在德里一同(🥤)接手调(🌬)(diào )查不同(tóng )的女(nǚ )性暴力(🗞)事件，在(🦐)办案过(🧣)程中往(🐦)往遭受(📇)(shòu )到了重(chóng )大阻(zǔ )力，无日(🌭)无之的(💷)罪案令(🆑)她脾气(💪)暴躁，做(⏰)事(shì )方(🌿)(fāng )式偏(piān )离常规，被裁定在(🚚)执勤中行为不(bú )当，而私(sī(❤) )人(rén )生(🐖)活(huó )也(⏪)影响到(🥃)了她的(🤹)职业表(💙)现，与(yǔ )丈(zhàng )夫已(yǐ )经彼(bǐ(🎪) )此疏离(🌌)(lí )，却要(🌴)被迫面(🙂)对他突(🚺)然的到访(fǎng )。印度(dù )电影(yǐ(🐯)ng )少见的(🔘)(de )写实题材，以一场一镜营造(😽)出(chū )真(🥒)实迫(pò(🌌) )力，将社(🌕)会低下(🐅)层女性受到压迫的问题表(⚽)(biǎo )露无(👉)遗(yí )。 Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(👍) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages. Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again? 西部(📖)荒野，住(🙁)着麦克(🆘)林夫妇——伊(yī )萨克(kè )（(🔞)阿什(shí )利·祖克曼 Ashley Zukerman 饰）和(🐴)莉兹（(👟)凯特琳(⛔)(lín )·杰(🕝)(jié )拉德(🥫)(dé ) Caitlin Gerard 饰(shì(😛) )）。这里条件艰苦，环境恶劣(🚇)，人(rén )烟(🏞)(yān )稀少(♒)(shǎo )，野(yě(📫) )兽横行(🦗)(háng )。莫大的孤寂令莉兹时常(😤)警惕(tì(🥔) )地(dì )环视(shì )四周(zhōu )，防备(bè(🏁)i )一切可(👷)能的危(🎰)险。某天(😈)，哈普(pǔ(🐖) )尔夫妇(fù )——吉迪恩（迪(🕠)伦·麦(🍏)蒂 Dylan McTee 饰）(🌠)和艾玛(💠)（茱(zhū(💶) )莉亚·(🚸)古丹(dān )妮·泰勒斯 Julia Goldani Telles 饰）搬(🐻)到了麦克林家附近(jìn )，成(ché(🤓)ng )为(wéi )他(🤥)们(men )的邻(🛰)居。两家(🏻)人很快(👎)就成了(🌎)好朋(péng )友，特别(bié )是(shì )莉兹(🎀)(zī )有了(🔂)艾玛这(🐋)个好姐(😑)妹，似乎(👠)心(xīn )理(lǐ )也正(zhèng )常了(le )许多(🎭)。 德蒙特(🥝)·莫罗尼、理查德·哈(hā(📥) )蒙(méng )加(🤘)盟(méng )惊(💁)悚(sǒng )片(🍀)[千次(cì(🐂) )伤我心]。该片根据丹尼尔·(👠)沃(wò )特(💁)斯的(de )同(📎)名(míng )小(🗝)说改编(🌉)。斯科特(🍗)·斯皮尔([舞出我人(rén )生4])执(🕰)导(dǎo )，贾(jiǎ )森·福克斯编剧(🔈)，贝拉·(🌕)索恩主(🐙)演。该片(📸)(piàn )设(shè(🚪) )定于(yú(🔔) )洪水劫难之后，鬼怪族群“残(🔘)渣(zhā )”出(〽)(chū )现。多(♒)(duō )年后(❓)(hòu )，这些(🥀)族群恐吓年轻女子(索恩(ē(🚍)n )饰(shì ))，而(🈴)(ér )她必(bì )须冒险(xiǎn )找到生(💚)存之路(🍶)。 During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. 栗子致(🤣)力于研(🐞)(yán )究(jiū(🈸) )记忆(yì )交换(huàn )技术，男友钟(🕛)瀚非常(🛫)支持。科(🎪)学家白(🚊)(bái )堂武(🦀)秘(mì )密(🈂)研(yán )究克隆人，却只能搞出(😽)没有灵魂的空(kōng )壳，他(tā )意(📹)识(shí )到(🔚)记忆交(📩)换技术(🕌)是他最(👬)需要的(🍉)。但栗(lì )子不(bú )愿(yuàn )与白(bá(🥨)i )堂武合(🈯)作。白堂(❎)武将钟(🤰)瀚变成(🔻)“白痴(chī )”骗(piàn )栗(lì )子帮(bāng )钟(🍇)瀚恢复(🐢)情感。钟瀚突然成了(le )绑(bǎng )架(🧗)反(fǎn )克(👰)隆(lóng )人(🏐)专家(jiā(👺) )刘大明(🎈)的嫌疑犯。栗子试图帮(bāng )钟(📐)(zhōng )瀚洗(🐔)(xǐ )冤，竟(⛺)在自(zì(🛹) )家发现(📑)刘大明(⚡)尸体。白堂武提(tí )出克隆(ló(🐏)ng )刘大(dà )明并植入记忆。栗子(💜)勉强答(🎧)应。栗子(🖕)(zǐ )潜入(🍔)白(bái )堂(🎌)武(wǔ )实(🙋)验室发现：真正的钟瀚已(🦕)死，现在(🚁)(zài )的钟(👛)(zhōng )瀚(hà(🔳)n )是白(bá(🐒)i )堂武的克隆人。白堂武利用(🍧)记忆(yì )交换(huàn )技术(shù )批(pī )量生(shē(🔢)ng )产克隆(⛹)人杀手(🍗)。栗子和(🌧)钟瀚一(🏢)(yī )起(qǐ )捣毁(huǐ )白堂(táng )武实(💥)验(yàn )室(🏋)。两人逃(🐰)亡之际(🚱)，钟瀚却(🚶)将(jiāng )自己锁(suǒ )在里(lǐ )面，随实验室(🍏)一起毁灭。数周后栗子(zǐ )发(⏱)现自(zì(📏) )己怀(huá(🏯)i )上钟瀚(🦎)的孩子(👏)，这让她坚强地面对未(wèi )来。 The film centers on a man who has superpowers only one day a year. Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..