在两轮服役后，乔在(zài )等(🕠)待战后综合(🏯)(hé )症治(zhì )疗的(🚛)过程(🔒)中正常(cháng )生(🎿)活(huó(👩) )逐渐(jiàn )瓦(🎷)解 Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed? 本(🔇)片来自新(xī(🛑)n )片场(chǎng )创作人(🏼)吴晋超，他(tā(📿) )担任(💋)这部影片的(de )导演(yǎn )、编(biā(🔖)n )剧、(😵)美术以(📞)及剪(jiǎn )辑。出品(pǐn )方(😎)为BITONE。 十七岁的(♓)坎蒂丝经常做(📮)梦，她(🀄)在(zài )发病时(🚇)做的梦往(wǎng )往(🤘)是(shì(🌡) )最清(qī(📵)ng )晰真(🚇)实的。在一次梦(mèng )中，她遇见(🤶)一(yī(🌺) )位正(zhèng )在梦游的英俊男(ná(🤱)n )孩。这个(gè )梦(🖱)一直萦绕在她(🧝)脑海(🚗)(hǎi )中，尤其是(🚑)因(yī(🤠)n )为她(tā )希(⛷)望逃(🍓)离现实，活在(🕟)(zài )美好(hǎo )的梦(🍘)中。她一边(biā(🍛)n )想着(👀)(zhe )离开这个无聊阴沉(chén )的海(😹)边小(🔀)镇，另(lì(👢)ng )一边(biān )还在(zài )震惊(🔃)于当地一个(🗻)(gè )男孩(hái )的失(🕤)(shī )踪(💫)事件。“在北爱(🎞)尔兰问题时期(😚)，这里(🔂)(lǐ )还更(🐳)安全(👕)一点。” 坎(kǎn )蒂丝(sī )的警察父(📎)亲说(👊)道，因(yīn )为当地的恶棍(gùn )团(🕺)伙(huǒ )不断惹(🏑)出暴力事(shì )件(😾)，导致(🤰)(zhì )当地越来(📩)越危(👉)险。坎(kǎn )蒂(🛒)丝在(🍒)现实中(zhōng )遇(🤯)到(dào )了一个长(📱)得很像(xiàng )梦(⏳)游(yó(🥡)u )男孩(hái )的人，感觉世界(jiè )从(🚦)此(cǐ(➿) )被点亮(🍧)。坎蒂丝虽(suī )然迷恋(🏓)这个惴惴(zhuì(❣) )不安(ān )的陌(mò(🎽) )生男(🛷)孩，但后来(lá(♐)i )得知(zhī )，他(tā )居(🌛)然是(✈)父亲决(🔻)心要(💿)除掉的其中一名(míng )恶棍(gù(📣)n )。 唐明(🍸)，就像很(hěn )多屌(diǎo )丝故(gù )事(🚄)里的男主角(🏻)一样，从小到大(🀄)遇到(🦆)(dào )的异(yì )性(🚿)都是(📊)女神级的(🔚)(de )，在(zà(🦖)i )经历(lì )了一(😋)堆奇怪的事情(📹)后(hòu )，唐明把(🌉)人生(😀)(shēng )的不(bú )幸归结于自己从(🚛)(cóng )小(⛳)到(dào )大(🔮)发(fā )着的相同的梦(😺)，一次(cì )解梦(🐑)的经历中，卷(juà(💬)n )入了(🤵)一场警匪追(🌹)(zhuī )逐事(shì )业，负(🌑)责这(🤒)次 逮捕(👸)案(à(🌏)n )的是(shì )女主(zhǔ )角白古清，为(🧚)了彻(🌚)查本案潜伏在牛(niú )氏集(jí(🎼) )团的目标嫌(🚕)疑人(rén )，失(shī )业(🍦)已(yǐ(🍧) )久的唐明前(💭)往牛(🤳)市集(jí )团(🛁)工作(🥍)，公交(jiāo )车站(💛)(zhàn )偶遇女神白(🥄)古清(qīng )，却(què(🌧) )遭小(🎖)(xiǎo )人整蛊给女神留下坏(huà(⚫)i )印象(🐥)，人生的拐角(jiǎo )点，喜剧的相(🤓)遇(yù )却触(chù(👢) )发了(le )悲惨的前(🗒)尘往(📟)事(shì )：唐(tá(➿)ng )明是唐三藏的(🎂)转世(❤)(shì )，白骨精正(🙁)是白古清(qīng )的(👧)前(qián )生，两人(🌐)的关(👏)系(xì )因堕(duò )落凡(fán )间的唐(♍)三藏而更加(👎)亲密，前世种下(xià )的(🕊)缘(yuán )分在两(🌸)人之(🔎)间悄(qiāo )然(☕)开(kā(🕔)i )花。为对抗牛(🎲)总的邪恶势(shì(🔕) )力，唐明和唐(🐅)(táng )三(🕵)藏(cáng )师徒开始策划周(zhōu )密(👰)的(de )营(🐏)救(jiù )工作，最后，究竟是(shì )邪(👰)不能胜正？(🚬) A tragic car accident puts a woman in a two year coma. She wakes up to find her fiance' is dead and her friends have abandoned her. So she calls on an evil spirit to raise her fiance' from the dead and exact revenge. But revenge always comes with a price. 千百(bǎi )年来，地(🛅)球上(⚓)一(yī )直住(zhù(🚁) )着一(yī )种外星(🕜)生物(🌜)，名(míng )叫喵(miā(🌦)o )星人。它们从遥(🕝)远(yuǎn )的喵星(⬜)来到(🎢)地球，化(huà )身为(wéi )猫科动物(🥐)，分散(sàn )在世(🤫)(shì )界每(měi )个角落。萌(🚃)萌的外表，加(🌈)上机智聪(cōng )明(🔀)的(de )头(💖)脑，轻易就得(😌)(dé )到人(rén )类的(💐)(de )宠爱。不愁吃(❌)喝的(🤨)它(tā )们桀骜不驯，活像(xiàng )饱(🦆)经沧(🖇)桑的江湖(hú )大佬(lǎo )。犀(xī )犀(🕔)利就是他们(🖖)中的一(yī )员，作(🐥)为一(🌡)名正牌(pái )的(📡)喵星来客，它(tā(🐫) )肩负(⚓)(fù )使命(mìng )长(😡)途跋涉来到地(🕘)(dì )球，却意外(🏺)遇到(☔)了吴守龙（古天乐饰演）(💷)一(yī )家，上演(🦂)了一幕相运(yùn )相生(🥔)(shēng )，喵(miāo )趣横(👵)生的人猫奇遇(🗝)记。 十(🙁)多岁的米(mǐ(💈) )特拉(lā )是一位(🎛)雄心勃勃(bó(🥅) )的艺(🚎)(yì )术家(jiā )，她正在完成自己(🈷)的(de )梦(⌛)想作品，也(yě )就是(shì )拍摄一(🌝)部关于埃(ā(😍)i )及传(chuán )奇歌(gē(🎇) )手及(🦅)女星乌姆·(🔡)库勒(lè )苏姆的(🚔)电影(🚘)。然而(ér )，为了(💓)更真实地(dì )刻(🐞)画(huà )乌姆(mǔ(🌧) )作为(🈴)一个神话、一个(gè )女人和(😚)一位艺术家(🌾)的本质，米特拉把家(🕡)(jiā )庭放(fàng )在(🚪)了事业之后，她(🦖)自(zì(🅱) )己的(de )人生斗(🚼)争与乌姆的融(📓)合在一起，使(🍢)(shǐ )她(👧)在(zài )情感和艺术上面(miàn )临(🕗)崩(bē(👸)ng )溃。 Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend. Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.