王(wáng )小丁（贾景(🗼)晖(huī ) 饰）(🌶)是替某(mǒ(👧)u )网站工(gōng )作的(de )摄影记(jì )者。生活里(lǐ )，王小(xiǎo )丁总是一副(fù )吊儿郎(láng )当的样子，没(🐎)有任(rèn )何(🐫)一件事情(🐯)(qíng )能够让(ràng )他上心，无(wú )论是对待工作还是(shì )人际关系，王小丁(dīng )都是无所谓的(🆔)态度(dù )，整(🌻)天浑浑噩(🚮)(è )噩的(de )混日子。王小(xiǎo )丁的现状连神仙都(dōu )看不下去了，于是(shì )派出了缞神（赵(🎹)骏(jun4 ) 饰）来(⛰)到他(tā )的(🧠)身边(biān )，希望(wàng )能够(gòu )帮助他(tā )重新找(zhǎo )回生(shēng )命的意(yì )义。可是很(hěn )快缞神(shé(🌞)n )便发现，王(🆑)(wáng )小丁的(🦄)(de )无赖远远超(chāo )过了他(tā )的预期，他(tā )竟然对(duì )他毫无办法(fǎ )。 本片导演童抒伟(wě(👃)i )称，《追击者(🛵)》将(jiāng )是福(🤠)建省第一部真(zhēn )正意义上还原(yuán )电影(yǐng )本质、追求电(diàn )影艺术的动作犯罪(zuì(👡) )电影，同时(🔻)他也致(zhì(🔈) )力于拍摄出自己风(fēng )格的电影，更希望(wàng )能够打(dǎ )开漳(zhāng )州，甚(shèn )至是福(fú )建的(🌸)(de )电影市(shì(🌔) )场，希望能(⛅)(néng )将商业(yè )与艺术想结(jié )合。 人(rén )據說一生最(zuì )多有十(shí )萬條頭髮，每一條(tiáo )頭(🌓)髮質感長(✅)(zhǎng )度有異(🆑)，但都承載(zǎi )著煩惱的回憶。「時光理髮」剪掉的(de )不只是頭髮，還有(yǒu )街坊不快的(😷)記(jì )憶。行(🚪)將式微的(🚯)舊(jiù )式廣東理髮店店主(zhǔ )海泉叔指望兒子長(zhǎng )發繼承衣缽(bō )，不過(guò )兒子卻(què(🈲) )更想(xiǎng )當(🌩)文青(qīng )，希(🔇)望(wàng )透過(guò )文字和(hé )音樂改變世(shì )界。一(yī )次意外，長(zhǎng )發被迫(pò )代父(fù )親落場(✖)(chǎng )當師傅(🤙)(fù )，透過理(🥋)髮(fà )為街坊(fāng )排憂解難，更與離家出走少女(nǚ )相遇相知，重新反(fǎn )思自己的前路(📓)。傳(chuán )統理(📁)髮店交織(🆒)舊區(qū )鄰里人情，《點五步》男角岑珈(jiā )其化身理髮店傳人(rén )，演出清新自(🌦)然。 李天洋(📟)和郑月两(🧀)位(wèi )年轻(🏦)“小炮(pào )儿”在(zài )执行神(shén )秘任(rèn )务时失(shī )败，惹怒老(lǎo )大闫老(lǎo )板，开始了(le )亡命天(🧠)(tiān )涯的故(♌)事。在找寻(🛵)(xún )货物的过程(chéng )中，郑(zhèng )月偶遇发小(xiǎo )并帮发小找回了失(shī )踪多时的男朋友。同(🥠)时，郑月发(🐸)现了(le )货物(❓)的秘密并明白(bái )如果不逃离这(zhè )个地方就会丧失性(xìng )命。屋漏偏逢连夜(yè )雨，在(🚣)郑月准备(🏠)离(lí )开的(🏚)时候，兄弟和(hé )发小的被闫(yán )老板抓(zhuā )，郑月(yuè )不得(dé )不与闫(yán )老板正面冲(chōng )突(👟)，随(suí )之而(🕶)来的却(què(🏂) )是越来(lái )越多的麻烦(fán )。 Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea. A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity. 中年(nián )建築師遇上(shàng )人生瓶(píng )頸，在家被(bèi )老婆嫌棄，公(🏈)司小(xiǎo )開(🥚)兔死狗烹(🌚)。失業(yè )的他在曼谷街頭驀(mò )然回首，瞥見大象(xiàng )Pop Aye，憶起歡快的(de )童年時光，毅然買(mǎ(💩)i )下大象，卻(🍞)發現都(dō(🤥)u )市生活容不下他倆(liǎng )，打算和老象一路(lù )向北返鄉。這趟人(rén )與象的(de )公路(lù )之旅(✳)，途中狀況(🏘)不(bú )斷，所(⏹)(suǒ )幸萬能的象(xiàng )鼻領著(zhe )他倆，與沿(yán )路風景(jǐng )相伴。《爸(bà )媽不在(zài )家》導演陳(chén )哲(🏳)藝監製，阿(🖥)比查(chá )邦(🐖)御用剪接操刀，看擅長冷幽默的才(cái )女導演陳敬音，用(yòng )象鼻對抗中年(nián )危機！將(😸)泰國鄉下(🏫)(xià )的荒涼(🐘)風景，轉變(biàn )成一首洋溢著淡淡(dàn )霓虹光芒的自我蛻(tuì )變之歌。