故事讲(jiǎ(🎾)ng )述了(📎)围绕(👳)著朝鲜时代(dài )，历史(👣)中(zhō(🌷)ng )没有(yǒu )记录的一夜中，国王(😚)(wáng )护(⛱)卫「(🍕)名剑手」金浩(hào )与(👅)谋反(🤟)武(wǔ )士之间惊心(xīn )动魄的(🈳)对(duì(🉐) )决。 奧(📺)馬爾在倫敦過(guò )着(🍥)富(fù(🤾) )裕生活(✊)，還有一年就(jiù )大學(🏥)畢業(🚄)(yè )，一(🎮) 切看似(sì )安好。然(rá(🐛)n )後忽(🕡)(hū )然一天感召來了(le )，他(🥨)(tā )無(🖥)法再(🍀)忍受(✈)波斯尼亞(yà )大批穆(🌭)斯(sī )林被(bèi )虐殺的(de )報道和(🛵)影(yǐ(🍋)ng )像，要(🤘)做點什麼改變世界(🏥)(jiè )。真(🚴)人真事改編，呈(chéng )現恐怖份(👈)(fèn )子(🤟)的(de )成(🍙)魔歷程；不從(cóng )英(🚣)美(mě(🏩)i )主流角度去看，也不(bú )全循(📡)伊斯(📐)(sī )蘭(👖)觀點，究(jiū )竟可以折(📯)(shé )射(🎓)出(chū )一(💓)幅怎樣的圖像(xiàng )？(🕴)觀(guā(🧝)n )眾跟(🧡)隨攝影機見證奧(à(🍭)o )馬爾(🕟)在巴(bā )基斯坦山區(qū(🗺) )受訓(💳)，在(zà(🌷)i )新德(🔀)(dé )里綁架視為沉默(📇)同謀(móu )的歐美遊客，策劃謀(🧝)(móu )殺(⛺)《華爾(⛳)(ěr )街日(rì )報》記者，以(🏽)致(zhì(🖐) )最後(hòu )就擒。的確，人在做(zuò(⤵) )天在(🧓)看，問(🐞)題是哪一(yī )個天在(🍰)看(kà(🎺)n )。 十(shí )七岁的坎蒂丝经(jīng )常(🏼)做(zuò(🛡) )梦，她(🐊)在发病时做的(de )梦往(🤴)往是(📆)(shì )最清晰真实(shí )的。在一(yī(🛬) )次梦(🐬)(mèng )中(🍑)，她遇见一位(wèi )正在(🚡)(zài )梦(🌷)游的英俊男孩。这(zhè )个(🕔)梦一(🔻)直(zhí(😒) )萦绕(🉑)在她脑(nǎo )海中，尤(yó(🌐)u )其是(shì )因为她希望逃离现(🎺)实(shí(🕞) )，活在(👆)美好的梦中。她一边(🍄)想(xiǎ(🔷)ng )着离(lí )开这个无聊阴沉(ché(🕙)n )的海(🚉)(hǎi )边(💛)小镇，另一边还在(zà(🈶)i )震惊(😈)于当地一个男孩(hái )的失踪(🏪)事(shì(🖼) )件。“在(🔊)北爱尔兰问(wèn )题时(📣)(shí )期(🍄)，这里还更安全一(yī )点。” 坎(kǎ(❣)n )蒂丝(🍸)的警(🏧)察(chá )父亲说道(dào )，因(🥟)(yīn )为(😰)当地的恶棍团(tuán )伙不(bú )断(😘)惹出(🌎)暴力(🥞)事件，导(dǎo )致当地越(🏍)(yuè )来越危险。坎蒂丝在(zài )现(🐑)实(shí(🐛) )中遇(🦒)到了一个长得很(hěn )像梦(🧣)游男孩的人，感(gǎn )觉世界从(📶)(cóng )此(🐹)被(bè(🚵)i )点亮。坎蒂丝虽(suī )然(🚱)迷(mí(🖐) )恋这个惴惴不安的陌(mò )生(🤟)男孩(😣)，但后(💶)来得知(zhī )，他居然(rá(⛰)n )是父(🎎)(fù )亲决心要除掉的(de )其中(zhō(🏣)ng )一名(♈)恶棍(🛃)。 狂犬―それは時代(🛢)(dài )を(🛍)生きた一(yī )匹の男の物語(😍)(yǔ )。生(⛏)涯負(😭)けなしのステゴロ(🚶)の帝王・鰐淵(yuān )市蔵が日(🥣)(rì )本(🐬)最大(🔛)組織(zhī )・大和組(zǔ )に戦(🤨)(zhàn )争を仕掛ける!! While on a road trip to a wedding, a young couple is forced to camp out for the night - and become prey to the wilderness, and something even more sinister. Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed? Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.