巴勒斯坦(🍇)電視台攝(🏆)製臥底肥皂劇，連(📥)以(🥊)色列婦(🍸)孺都晚晚追看。編(biā(🐁)n )劇因情(♌)節(jiē )背離革命(mìng )而(👗)辭職，監(🙏)製的多(duō )口(kǒu )侄仔(😗)助(zhù )理(📓)(lǐ )受命執(zhí )筆(bǐ )，頻(🦁)頻(pín )借(😠)(jiè(🎹) )女角之(zhī )口(kǒu )，向(💂)電(💱)(diàn )視(shì(🎣) )機前的(de )舊(jiù )愛示好(📪)(hǎo )，以色(⛲)列檢(jiǎn )查站軍官(guā(🔟)n )則企圖(😵)恃(shì )權影響劇(jù )情(🍵)發展，以(🔯)便在追(zhuī )看的嬌妻(🔋)面前自(🛡)吹自擂。助理即使槍(🛶)抵腦殼，都(🛀)不肯接受軍官要(🚻)求(🎅)的大團(🌈)圓結局。抗爭，必須繼(🏝)續！影展(🏯)新秀蘇亞比巧妙調(☔)(diào )侃以(🐴)巴關(guān )係，他的(de )喜劇(😤)座右(yò(🤼)u )銘是：要(yào )能大笑(🌘)，必(bì )須(☔)面(🆙)對(duì )苦(kǔ )痛，並(bì(🐟)ng )與(🤶)(yǔ )之周(🅿)旋(xuán )。獲威尼(ní )斯(sī(🚒) )地平線(💼)(xiàn )單(dān )元最佳(jiā )男(🙄)(nán )主角(🕝)獎。 牧江村郊(jiāo )野山(👜)藏有(yǒ(❇)u )一怪，赤(chì )面獠牙，名(🐶)曰垃圾(👅)(jī )人，他身世神秘，以(😸)垃圾为食(🙈)，日遇村妇马秀娟(🚶)，将(🤱)其掳掠(🌧)。马秀娟通过与垃圾(🛴)人的交(🕛)往，发现他虽丑陋骇(😹)人，却心(🐧)地单纯(chún )。但天不(bú(🚑) )遂人愿(😸)，“单纯”的垃圾人(rén )却(🆗)将马秀(🚯)(xiù(🤛) )娟(juān )视为配(pèi )偶(🧛)(ǒ(🚦)u )，囚于(yú(🔘) )废(fèi )弃厂房(fáng )。矿山(🐉)老(lǎo )板(🚈)(bǎn )徐东南(nán )徐(xú )西(👓)北两(liǎ(🥟)ng )兄(xiōng )弟欲借炸(zhà )山(🥗)除垃圾(🤪)(jī )人之名在(zài )野山(🥥)非法(fǎ(🤭) )拓矿，全(quán )然不顾马(👌)(mǎ )秀娟安(🐫)危。而垃圾人通过(🏂)马(💳)秀娟逐(✍)渐了解人类的尊重(🔎)与爱，遂(🌵)将其放归牧江村。马(😴)秀娟得(🥚)知徐东南阴谋后为(📹)救垃圾(📈)人与之抗争，最终(zhō(🛌)ng )被绑于(👰)山(⛎)(shān )上，垃圾(jī )人为(🦐)救(📐)马(mǎ )秀(🗑)娟与徐(xú )东(dōng )南死(💷)命(mìng )相(🏍)(xiàng )搏，后(hòu )被(bèi )徐东(🍶)南(nán )炸(🌐)(zhà )死。环(huán )保(bǎo )组织(🦉)声(shēng )明(⛹)(míng )垃圾人(rén )出(chū )现(🏇)乃牧江(🚽)(jiāng )村的环保(bǎo )意识(🆎)薄弱(ruò )之(😟)恶果，垃圾人本(běn )无(🕔)罪，罪(zuì(🌭) )在人心对环境的态(🐥)度，并呼(🦓)吁民众善待环境。 Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity. When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse. Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing. It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(➰)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her. 1995年，Jonas是个(😌)躲在柜中的14岁男孩(👷)，他对英(🍎)俊潇洒的同学Nathan一见(✉)钟情，尤(🛅)其(📹)对Nathan桀骜不驯的一(😣)面(🍱)(miàn )又爱(💲)又怕(pà )。18年后，三十而(🔧)立(lì )的(💫)Jonas已是风(fēng )流(liú )倜傥(🕖)的(de )熟(shú(🐶) )男，却(què )仍(réng )在寻找(🤐)(zhǎo )人(ré(🐥)n )生平衡(héng )点(diǎn )，因为(🛹)(wéi )挥(huī(⛄) )之(⛪)不去(qù )的(de )回忆阴(👂)影(yǐng )，他回(🖥)到(dào )睽违已久(jiǔ )的(👲)家乡，试(🕤)图在每(měi )个记忆角(🚝)(jiǎo )落，寻(🛍)找早已失去的线索(🐉)、14岁的(❣)自己，以及他曾经爱(🛫)过的那(🎚)个男孩… On a trek to find the world's rarest tree, Dylan and his friends descend into harsh ravines and canyons. As the wilderness closes in on them they come face to face with hard truths about friendship, unrequited love, and the consequences of letting go of the past.