电影《贞子归来》由稻草(cǎo )人影(yǐng )业出品(🍙)(pǐ(🈵)n )。剧(🔈)情(👪)简(🎵)介(➰)：(🍝)电影贞子(zǐ )归来讲(jiǎng )述抗(kàng )日战争(zhēng )爆发前，两姐妹贞子(⏲)和(🌀)(hé(😝) )川(🚽)子(🎺)随(🚆)(suí(⬛) )父来(lái )到中国(guó )，并同时喜欢上一日本(běn )男生，出于(yú )嫉妒，姐姐(⚾)川(🎐)子(🛴)将(🔥)妹(👬)妹(🖥)贞子闷(mèn )死在木(mù )箱内(nèi )，怨气化成厉鬼，多年之后，一学生(shē(😎)ng )无(💉)意(🤗)(yì(🤾) )中(🐜)路(🎿)过荒废的茅草屋，贞子的(de )怨气(qì )投(tóu )附到(dào )投影仪上被辗转带回(🕌)城(🦉)(ché(🤝)ng )市(🐍)，引(🥕)(yǐ(🏰)n )发数(shù )件离奇(qí )死亡事件，一切矛头指(zhǐ )向贞子(zǐ )，但(dàn )其实(🕒)投(🐐)(tó(📯)u ) 影(🙎)仪(🕔)里(📺)还有另外一股怨(yuàn )气。 乡(xiāng )田飞(fēi )鸟（吉(jí )田羊 饰）是一名甜(🍔)点(🥦)师(🎉)(shī(🔉) )，经(🤧)营(⛴)(yíng )着一(yī )家甜品店。已经四十岁的她不(bú )仅将自(zì )己的(de )私人(🆙)生(👪)活(🤤)打(⚫)理(🛹)的(😫)井井有条，店(diàn )内的大(dà )小事(shì )务亦手到擒来不在话下，但唯(wéi )独(🕟)感(⚽)(gǎ(😅)n )情(📗)(qí(🏺)ng )这(🎫)一(yī )块依旧是空缺的状态，这究竟(jìng )是为(wéi )什么呢(ne )？ 朱迪·(⏬)丹(📇)奇(⚫)、(🗜)索(🕹)菲(😰)·库克森(sēn )将参(cān )演谍战(zhàn )题材新片[赤姝谍魅](Red Joan，暂(zàn )译)，影(yǐng )片(⚫)改(👊)(gǎ(🖼)i )编(🔪)自(🕤)2014年(💻)(niá(🕜)n )出版的同名小说，创作(zuò )灵感来(lái )自潜(qián )伏在英国最长寿(⬇)的(👉)克(⏱)格(🛵)勃(🎅)女(🥈)间(jiān )谍。库(kù )克森(sēn )与丹奇将在片中分别饰演青年(nián )和老年(nián )时(🤯)代(🤑)(dà(🈁)i )的(😼)女(✖)间(🚠)谍琼。英国知名莎剧导(dǎo )演崔佛(fó )·纳(nà )恩将执导这部关于(🐵)信(😱)仰(🦂)、(🕸)爱(💁)情(🏳)(qíng )与政(zhèng )局(jú )的影(yǐng )片。 The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years. In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific. Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@