During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. ４K/8Kの高解(🌜)像(🕑)(xiàng )度による大型映像(🛤)(xiàng )をはじ(🎪)め、CMやPV、テレビ番組(🛳)(zǔ )、さら(🤖)に(🧗)はwebクリエイ(⏸)ティヴ・(🥘)デザイン(🤳)やグラフィ(💀)ック方面(😝)で(🈹)も活躍するIMAGICAイメージ(🌆)ワークス(☝)と、『ALWAYS三丁目の夕日(🚉)』シリー(🙇)ズ(🍊)や『永遠の(💂)０』など(😯)の大ヒット作で知ら(🍬)れる映像(🦎)制(💏)作(zuò )集団ROBOTがタッグを(🦁)組(zǔ )んで(🔕)、子(zǐ )ども(🎊)のころに(♑)見(🏹)た夢(mèng )を失いながら(🎅)大人(rén )に(🔒)なり、多忙を極(jí )め(🎪)て久しい(🏣)現(🔠)代人(rén )の心(📔)に、かつ(⤴)てのあの(🏯)“想(xiǎng )い”を蘇(🐬)らせるSFフ(🦑)ァ(🤼)ンタジー！ 在革命烈士(🚊)纪念碑前(🏀)，抗战老兵王二回忆起(🅰)了自己曾经(🏉)的前辈、导(🖼)师及战友(🕯)。在那个战火纷飞的年(💲)代(dài )，侵华(💄)日(😥)(rì )军的铁蹄(tí )踏到了(🌊)王(wáng )二所(🔥)在的(de )村子里(🔉)。十(shí )五六(🍕)岁(👊)(suì )的(de )王二胆(dǎn )小(xiǎo )懦(💲)弱，无(wú )依(🏑)无靠的(de )他在炮火(huǒ )中(👵)无所适(shì(🎃) )从(🕒)，直到(dào )一个(💶)八路(lù )军(🕠)的班解(jiě(⛏) )救(jiù )了他。就(🕘)(jiù )此他结(🎬)(jié(🐩) )识(shí )了有勇有(yǒu )谋的(🃏)班长(zhǎng )赵(🚒)真，机灵的侦查员张鹏(📳)，大大咧咧的(👟)警卫员孙大(♉)嘴，谨慎的(🕍)刘贵，沉着的狙击手周(🚪)大宝，善良(⏳)的(🚗)卫生员叶琳，以及因厌(🦏)(yàn )恶侵略(😸)战(zhàn )争而投(🏂)靠(kào )八路(🆚)军(🤪)的(de )原日军成(chéng )员(yuán )小(🚘)林健(jiàn )次(🗽)(cì )郎。赵(zhào )真(zhēn )所在的(⚾)班(bān )因解(💍)救(🕡)王(wáng )二而与(🔴)大(dà )部队(🏤)失散(sàn )，他(💐)们一(yī )行人(🌤)带着(zhe )王二(🚾)，在(🌡)(zài )日(rì )军的封(fēng )锁(suǒ(🌶) )区艰难(ná(📔)n )的(de )寻找着大(dà )部队。在(🧡)(zài )战火的洗(📅)(xǐ )礼中，他们(🍼)每个人都(🐖)面临着突破自我的考(📣)验…… 时(😒)间(🙍)回到嘉祥担任店长的(👰)猫娘蛋糕(🥫)店『La Soleil』开张(🕗)的半年前(🕍)(qiá(🚣)n )，还是小(xiǎo )猫的巧克(kè(👁) )力跟香草(🏻)(cǎo )刚来到水(shuǐ )无月家(🆓)，还(hái )没跟(🐅)其(🎥)(qí )他(tā )猫娘(😐)们(men )打(dǎ )成(⤵)一片的(de )时(💲)候。开(kāi )始用(⚫)「主(zhǔ )人(🆕)」(🏁)称呼(hū )嘉祥，并(bìng )且在(👧)水无(wú )月(🚞)家度过(guò )第一个圣(shè(🍷)ng )诞(dàn )节的两(⛄)(liǎng )人(rén )，和嘉(🚼)祥(xiáng )立下(🤞)了一(yī )个约定。NekoparaOVA的募资(🔛)达标感谢(🕖)礼(👘)，将为各位送上一段全(🏇)新前传！ 这(🧕)部电影以著(🌙)名作家兼(🥉)记(🐜)者Mintu Gurusariya的自传Dakkuan da Munda为基础。当他(🏢)是一(yī )名(⛑)年轻的(de )卡巴迪球(qiú )员(🥂)时，Mintu成(chéng )为(🏕)吸(❓)毒成(chéng )瘾者(💅)。接(jiē )触毒(🚈)品也(yě )将(🚨)(jiāng )他引入(rù(🎠) )犯(fàn )罪市(🚼)场(😿)。但今天，他成了年(nián )轻(💈)人及其(qí(📝) )家人的灵(líng )感，因为(wé(🚽)i )他设法摆(bǎi )脱了他的(de )束(👔)(shù )缚，打(dǎ(🚗) )破(pò )了他与毒(dú )品和(📮)犯罪(zuì )的(🚗)关(🐥)系。 巴勒斯坦電視台攝(🕰)製臥底肥(🉑)皂劇，連以色(🤽)列婦孺都(👢)晚(🏘)晚追看。編劇因情節背(📆)離革命而(🍫)辭職，監製的多口(kǒu )侄(🎍)仔助理(lǐ(⏲) )受(🎥)命執筆(bǐ )，頻(😩)頻借(jiè )女(🔏)角之口(kǒu )，向電視(shì )機(🚀)前的舊(jiù(🔮) )愛(💿)(ài )示好，以(yǐ )色列檢查(🕹)(chá )站軍官(👒)則(zé )企圖恃權(quán )影響(⚓)劇情(qíng )發展，以(yǐ )便在追(❗)看(kàn )的嬌(📌)妻面(miàn )前自吹自(zì )擂(🕦)(lèi )。助理(lǐ(🆙) )即(🌂)(jí )使槍抵腦(nǎo )殼，都不(✒)(bú )肯接受(🕞)軍(jun1 )官要求的(🔝)大團圓結(🔣)局(🚣)。抗爭，必須繼續！影展新(🥪)秀蘇亞比(🤭)巧妙調侃以巴關係，他(🌍)的喜劇座(📄)右(💹)銘是：要能(💀)大笑，必(bì(🛥) )須面對苦(kǔ )痛，並與(yǔ(💹) )之周旋。獲(🐡)威(💑)尼斯(sī )地平線單(dān )元(🌾)(yuán )最佳男(🤵)(nán )主(zhǔ )角獎。 A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world. Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.