索尼动画一直(🌬)希望(wà(❎)ng )为(wé(🕵)i )《冲浪(làng )企(qǐ )鹅(❔)》拍摄续(♑)集，最近他们终(zhōng )于(💩)宣布《冲(🎹)(chōng )浪企(👙)鹅2》（Surf’(👼)s Up 2: WaveMania）将(😛)在明年春(chūn )季(🙇)推出，续(🕯)(xù )集将邀请(qǐng )多位(👋)美国WWE职(🚩)业摔跤的明星(🆚)选(xuǎ(⏹)n )手(shǒu )加盟配音(🌏)(yīn )。 英国(🆎)知名舞台剧《鬼故事(🆑)(shì )》将被(💓)搬上(shàng )大银幕，新片(💫)主演马丁·弗(🧔)(fú )瑞(ruì(💨) )曼、乔治(zhì )·麦凯(🖌)、安迪(⛰)·尼曼等。尼(ní )曼(mà(🌑)n )继续出(chū )演(yǎ(🥤)n )他在剧(🥣)中的角色古德曼教(🐑)授(shòu )。古(🕜)德曼(màn )是(shì )一位心(🖼)理治疗师，从不(✒)相信(xì(🕰)n )鬼怪(🌼)之说(shuō )；然而(🐣)三个(gè(🏝) )病人的“见鬼实录(lù(📶) )”让他对(😕)(duì )原(yuán )有信念(🎨)产(chǎ(🌬)n )生了怀疑。作为(🐎)最受欢(✴)迎的(de )惊(jīng )悚戏剧之(Ⓜ)(zhī )一，该(🌒)剧曾在全球多地进(📘)行(háng )巡(xún )演。 In 1986, three teens were brutally murdered after knocking on the door of 59 Oakwood Lane. The killer was never found. Over the next forty years, rumours turned to legend, and while few will admit to believing the stories, kids are still warned never knock on the door of 59 Oakwood Lane for fear of what may answer.On this Halloween night, Grace and her friends are going to wish they’(😳)d heeded the warnings and never knocked… The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott. 重案(🚑)督察西狗（张晋 饰(🍴)）与(yǔ(🙇) )搭(dā )档阿德（吴樾(🧗) 饰）到某渔村(🔝)追捕涉(🍏)嫌(xián )多(duō )桩凶案(à(🌜)n )的(de )歹徒(🐠)江贵成，却意外发现(🏽)大(dà )量被虐杀(🌠)(shā )的(de )帮(😓)派分(🛹)子尸体和数额(➖)惊人的(🏞)(de )黑市黄金(jīn )，一场各(👣)怀(huái )鬼(🕝)胎的混战因西(😦)狗(gǒ(🛵)u )和阿德的(de )闯(chuǎ(⭕)ng )入变成(🛑)了(le )整个江湖针对两(💧)个警察(🥠)的困(kùn )兽(shòu )之斗，随(😹)(suí )着调查，西狗(🛄)发现拥(👶)有超高(gāo )犯(fàn )罪才(🛅)智的(de )江(🥀)贵成竟然嚣张到要(🧔)借十号(hào )风(fē(⤵)ng )球的天(💆)(tiān )威(wēi )，谋划跨国掠(🌁)夺一批(🥁)价值超(chāo )过(guò )五亿(🐕)的(de )海(hǎi )底黑金(⬜)，自己和(🙈)阿德(🤙)竟也成(chéng )了他(🍠)计划(huá(🎃) )中(zhōng )的棋子，不仅得(🈯)不到警(🎷)方支(zhī )援还被(🏨)通(tō(🎄)ng )缉(jī )，就在此(cǐ(🕐) )时，阿德(📨)被帮派绑(bǎng )架为人(🚸)质(zhì )，贵(🔞)成已经(jīng )出海(🤸)，西狗(✏)必须独闯狂风(📗)怒(nù )海(㊙)(hǎi )，当狂性(xìng )被绝境(✅)激发，当(⚫)兽性被贪欲(yù )操(cā(🔣)o )控，真相(xiàng )和善(🏥)恶哪个(👾)更重？唯有血战(zhà(👭)n )八(bā )方(🕐)才能(néng )力(lì )挽狂澜(📆)！ Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.